Jesse Jarnow

proust, no. 2

Later in my life, in Venice, long after the sun had set, thanks to the imperceptible echo of a last note of light held indefinitely over the canals as though sustained by some optical pedal, I saw the reflections of the palaces unfurled as if for eternity in an even darker velvet ovver the twilight grayness of the water. One of my dreams was the synthesis of what my imagination had often tried to envisage, during my waking hours, of a particular landscape by the sea and its medieval past. In my sleep I saw a Gothic citadel rising from a sea whose waves were frozen still, as in a stained-glass window. An inlet of the sea divided the town in two; the green water came right up to my feet; on the opposite shore it lapped around an Oriental church, and around houses that already existed in the fourteenth century, so that to move across to them would have been to go backwards through the centuries. (The Guermantes Way, 139-40)


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